HINDI MOVIES DOWNLOAD

The movie takes you right into the pain and the trauma of being torn away from your home. What it does not do is take you into the political realities of it. The Kashmiri Pandit exodus is not the story, it is a prop, used as the background for what is essentially a love story. While it is a beautifully told haunting love story, it is not a political drama or the ‘untold story of Kashmiri Pandits’ that it claims to be.

Barring a couple of scenes of political speeches, houses burning, a few people being shot, and one rather lame interaction between Shiva and a militant, Shikara pointedly stays away from the politics. It has serves a smattering of the Hindu-Muslim conflict but includes no real talk of the governments, militancy or violence at the time. In fact, Chopra takes the couple far away from that reality and focuses on their story of survival and love.

If taken at face value — a love story — the film is a great watch. It is painful and hopeful in all the right parts and beautifully shows the power of love in times of strife. The lead actors, especially Sadia, do a good job, inviting you into Shiv and Shanti’s relationship as if you were part of it all along. They display subtlety where it is required — in scenes of shock and sadness — and passion in scenes of fear and happiness.

What also does disappoint a little is the music of the film. The songs, written and composed by Sandesh Shandilya, Abhay Sopori and Rohit Kulkarni, try hard to be soulful and tug at your heartstrings. Instead, they fall short. The background score, on the other hand, done by A.R. Rahman and Qutub-E-Kripa, fits effortlessly into the scenes and helps build the mood of the film.

TO WATCH ONLINE , TAP ON. WATCH ONLINE BUTTON

MALANG HINDI MOVIES 2020 DOWNLOAD। ADITYA ROY KAPOOR , DISHA PATANI , ANIL KAPOOR , KUNAL KHEMU। DOWNLOAD FULL HD MOVIE।

MOVIE DESCRIPTION

DIRECTOR - MOHIT SURI

PRODUCER - BHUSHAN KUMAR

                        KRISHAN KUMAR

                        LUV RANJAN

                        ANKUR GARG 

                        JAY SHEWAKRAMANI

WRITER - ASEEM ARORA

STARRING - ADITYA ROY KAPPOR

                      ANIL KAPPOR

                      SHRADDHA KAPOOR

                      KUNAL KHEMU

RELEASED DATE - 7 FBERUARY 2020

RUNNING TIME - 135 MINUTES

MOVIE STORY 

Starring Aditya Roy Kapur and Disha Patani in the lead roles, Malang begins with our protagonist fighting with his fellow convicts in a prison over a knotted bracelet that once belonged to his lady love. The fight sequence goes on for an unprecedented amount of time and does nothing except flaunt the lead actor’s fabulous body. Aditya looks fantastic, but the film? Not so much.

After a couple of minutes, Advait (Aditya Roy Kapur) calls Inspector Anjaney Agashe (Anil Kapoor) and tells him something that holds true for the audience in the theatre as well- ''Yeh raat bohot lambi hone wali hai.''

The story of Malang offers nothing new and struggles to establish itself throughout. Some scenes appear cliched and others exaggerated. There isn’t much to spoil in this 'suspense-thriller’, but we assure you there are no spoilers in this review.

Breaking the story down, Advait meets Sara (Disha Patani) in Goa and the two fall in love (cliche alert). While Sara is a free-spirited young woman who wants to live her life to the fullest, Advait is happier with capturing moments in his camera. She tells Advait, ''Hum apne liye jeeyenge'', and the two begin facing their 'fears' by trying out different adventure sports. (Did anyone say Zindagi Na Milegi Dobara?)

A predictable plot twist and a forced tragedy puts Advait behind the bars and he seeks vengeance against those responsible, five years later.

The first half of the film is slow-paced and tries hard to establish a connect with the audience. For some reason, we don’t want to know why Advait is an introvert (if that’s what the makers intended to show) or why Sara wants to 'seize the day’. Despite the fantastic chemistry between the two actors, their stories feel incomplete, and unnecessary at times.

The scenes shot in Goa are beautiful though, and will make you want to pack your bags and go adventure sporting this weekend.

The second half attempts to connect the dots that weren’t laid out properly in the first. There is superfluous drama, predictable suspense and forced action. Oh, and did we mention that the film tries to adapt a feminist tone in the last few minutes?

The last 20 minutes of the film feel like the makers are trying their level best to justify why we saw what we saw. Everything is compressed and thrown at us like a fireball.

Malang has some great dialogues but there was room for improvement on that front as well. They could have been written more cleverly, to provide certain depth to a story that otherwise feels shallow, despite all its complexities.

Coming to the performances, Anil Kapoor aces his role and makes us smile whenever he is on screen. The actor’s flawless expressions, unmatched body language and on-point dialogue delivery is the reason the film earns some extra marks.

Aditya Roy Kapur as Advait is charming and fits the bill. He portrays pain, love and anger with sheer brilliance.

Disha Patani looks alluring but adds nothing more. She maintains a straight face throughout. Even a dialogue as intense as ''auraton ki izzat karni aati nahi aur mard bante hain'' is delivered by the actress in a flat tone. Her outfits though, are stunning. Full marks to the costume designers and make-up artists! Malang is a good-looking film, for sure.

Kunal Kemmu as the ostensibly righteous cop is decent enough. His raised eyebrow can be a little distracting but he does justice to his role.

Elli AvrRam does a fine job as Jessie and her dreadlocks make her look chic.

Other supporting actors including Angela Krislinzki, Keith Sequeira, Amruta Khanvilkar and Shaad Randhawa pull off a satisfactory performance.

In all, Anil Kapoor and Aditya Roy Kapur try to bear the burden of a film that fails to hook the viewer despite being a thriller. It is only towards the end that the story gets intriguing, but it is too late by then. The film has its moments though; we just wish there were more of them.

All the Anil Kapoor and Aditya Roy Kapur fans can visit the theatres to enjoy watching their favourite actors on screen. As for the others, you can gladly give it a miss.